At Emory, Roopika Risam wrote her dissertation on how W.E.B. Du Bois’s literary writing challenges the prevailing narrative that he turned away from African American equality toward anticolonial movements in his later years.
Risam and Salem State graduate research assistant Shakira Cruz started building a dataset of Du Bois’s correspondence from the W.E.B. Du Bois Papers at the University of Massachusetts Amherst, documenting the reach of his global networks.

Risam prototyped a map based on the correspondence dataset using Neatline.
Risam compiled the first dataset of 215 locations where Du Bois traveled, drawn from archival research in the Du Bois Papers and supplemented by secondary sources.

Risam started experimenting with bibliometrics to examine the reception of Du Bois’s literary writing. She scraped citation data from scholarly databases to trace how the global dimensions of his work have been suppressed or revived in academic research since publication.

Risam's first dataset of Du Bois's travels is used for In the Same Boats, directed by Kaiama Glover and Alex Gil, alongside curated datasets of other Black intellectuals, allowing researchers to identify potential connections in the Afro-Atlantic world.
Students in the Creative and Critical Data Studio, co-led by Roopika Risam and Jacqueline Wernimont in Dartmouth’s Digital Humanities and Social Engagement Cluster, collaborated with Risam to expand the dataset of Du Bois’s travels through archival and secondary source research. The updated dataset includes 700+ locations, dates, and contextual information about Du Bois’s activities where available. Other students developed a dataset of 2,172 compiled and cleaned citations of scholarship on Du Bois’s literary writings for future bibliometric analysis.

With support from Stephen Gaughan, GIS Manager at Dartmouth, Risam developed an ArcGIS map visualizing locations from the expanded dataset of Du Bois’s journeys, creating an interactive spatiotemporal tool for understanding his global connections.

Risam began working on a media-enhanced digital edition of Dark Princess (1928), which entered the public domain in 2024. Dartmouth students identified allusions and historical contexts in need of annotations for readers.

The project debuts to the public, offering an interactive map and contextual materials tracing Du Bois's global journeys.